My immersive theater installations and staged music theater works transport participants to dramatized reinterpretations of the everyday. I use combinations of music and field recordings, video and lighting, performance and narrative, as well as site-specificity and audience interactivity to plunder these moments’ emotional depths, expose their intimacies, and elevate their new-formed meanings within our lives.

“[T]he global is always at play in the quotidian. The quotidian is not some misfortune that must be redeemed by way of understanding its dependence with regards to global connection. It is the time within which the whole of an injustice of a condition is concentrated, but also its possible reparation...where the evidence that structures the temporal order of time is erased, where the distribution of the possible is reconfigured, and with it, the power of those who inhabit time.”

— Jacques Rancière, “Time, Narrative, Politics” (trans. Drew S. Burk)